Opening Weekend Re-Cap

March 14, 2011

TUESDAYS WITH MORRIE opened this weekend at the Sunset Playhouse in Elm Grove, and aside from a few small technical difficulties (who knew that the wheelchair would decide to move of its own accord?!), things went fabulously.

Our backstage crew, Zach and Nina, are pretty much rock stars in disguise. Everything that happens onstage really could not happen without these two. They are responsible for all props, for set pieces appearing and disappearing, and for making sure that the right side of the stage's revolve is showing at the right time--oh, and they do all of this from underneath a five-foot platform that's only about three feet deep and six feet wide. They live under the platform for the duration of the show with various props, a headset to communicate with each other and me, two large chairs, two end tables, a wheelchair, and only a small light to guide their way.

Things in this show wouldn't be possible without the backstage crew, and I think that the way they've worked out how to do things in this show is pretty awesome. I'm hoping to take some photos so you all can see exactly how they maneuver such things as the chairs, the the tables, the revolve, and, of course, the magical appearance of the record player.

So this is a techie appreciation post: thanks, guys! I seriously could not do this show without you.

Posted by Erin Brophy - Stage Manager

tuesdays with morrie: entering tech week

Yesterday was our first official tech day for MORRIE at Sunset Playhouse, and we managed to cue-to-cue the entire show and run sections of it in a nine-hour period--not bad for a first technical rehearsal!

The set looks incredible--it amazes me how much happens overnight when no one else is around to see it. Michael Desper, our resident set designer, really outdid himself on this set, if you ask me. Everything has this ethereal, dreamy quality to it, and the light design really emphasizes that.

This was the first tech experience I've had where I could spend the entire rehearsal sitting in the lightbooth, watching the process, and it is thanks to Nina, one of our stagehands, that that could happen. She sat backstage on headset and directed actors via myself and Matt Daniels, the show's director, and did so with much goodwill.

This was definitely one of the most fun tech rehearsals I've ever been part of. Not only did we accomplish things, we also made jokes and talked about things outside of the theatrical world, to give us a small break when one of us would become slightly stir-crazy.

The best part of the evening? By far trying to figure out how to differentiate from "Morrie" and "Mitch" in the visual/audio cues for lights to be called in the SM script. In blocking notes, I'd been writing "Mo" and "Mt" (as though they were scientific elements--which, I suppose, actors are, in a way, in the world of a play) but there wasn't enough room in the opposite margin for that as well as the cue number as well as the moment to anticipate the cue. But problems were solved, glow tape was laid down, revolve problems (yes, the stage revolves!) were solved, and today we go into our first tech/dress with fingers crossed.

I think things will go swimmingly--we've already been doing full runs of the show for nearly two weeks. Stephan and Don are just racing along with this show, and so far it's been a fun ride.

-Erin B
Stage Manager
Sunset Playhouse

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