It Takes a Village to put on a Play

Lots of cleaning up of scenes at Tuesday night's rehearsals… taking care of details… adjusting blocking… finding our way to spots for curtain calls …tangoing (tangoing? dancing the tango!)… pretty basic stuff done at a steady pace. And specifically for me, learning to hit someone with a cane without causing undue pain! Need to work at that.

In other areas work went on as well. Upstairs, work was progressing on the set, and the costume shop which is directly next to the rehearsal hall was busy! Rey Dobeck, our guest designer, who has worked at the Milwaukee Rep for many years, was having actors try on costume pieces, checking for needed alterations, and making notes about what still needs to be done, while Pat Boeck and Paula Kroening were busily sewing and hemming. Pat, who has been our resident volunteer costume person for a number of years, is stepping back from being the leader but continues to help out. Paula has come on board over the past few years and has become a regular. Take a peek at this busy threesome! Couldn't get them to say much though, especially Pat, maybe because she had a mouthful of pins!

When Did This Turn Into Dancing With the Stars?

Monday's rehearsal was spent learning the tango scene from Act II. Now when I read the script, I knew there was a dancing scene, and I figured, "Hey, no problem. I can dance a tango." But I didn't realize this was going to be a choreographed production number! I am afraid I will end up looking like Kate Gosselin (let's take a look at Kate performing some of her better moves, shall we)!


So, we begin. We have all had one rehearsal already to learn the basics, and now we are going to put it all together. Well... mostly together. Well... some of us more together than others. Melissa Bloch - Meier , our choreographer is patient, persistent and… well… KIND.

I am paired with Duncan (Jeff Anderson); Butch (Dan Myers) and Audrey (Chelsey Peterson) are a couple, and Doc (Gene Schuldt) and Stephanie (Matthew Patten) make up the third unique combination. We dance, we laugh, we discuss, we laugh, we dance some more, and by the end of the rehearsal, some of us ache. But we accomplish what we set out to do! Here is a peek at some of the process.

Irony

Hmmmm...we are actors who love what we do, here "slaving" night after night in rehearsals in order to turn out something which will entertain our audiences, and WHAT does one of our characters have to say about theatre? Watch the rehearsal video clip as the Reverend Duncan Wooley (Jeff Anderson with Jacqueline Gosz) says.....

More Than Just Learning Lines!

To actors, "blocking"has nothing to do with football; it means deciding where you are going to be when you say a line, and where you will move to during a scene and everything to do with your actions on stage. Sometimes that's easy to figure out and sometimes it's not, especially when a large prop is involved. Last Saturday's rehearsal was a case in point. The scene takes place in a small train compartment and involves a large suitcase which is necessary to the plot. After a rather lengthy discussion of where to put the suitcase - and when - and a few trial runs, this tentative blocking was the result. No guarantee that this will work on stage when the time comes.... but a good start. Watch the footwork from Matthew Patten (the dark haired actor) and Spence Mather (the light haired actor)!

Trying to Confuse an Old Lady?

I have a relatively small part in this show so spend a lot of time just observing, even though our director Mark Salentine has thoughtfully arranged the schedule so none of us have to spend a whole evening at rehearsal if we are only needed for part of it. But, even with the script in hand, I can get confused. Our dynamic duo, Matthew Patten and Spence Mather, change back and forth from "Jack" to "Stephanie" and from "Leo" to Maxine" at a furious rate. Would be easy on TV or in a movie, but here it is surprising and amazing... one of the joys of live theatre... and just wait until it involves costumes!

Also had the rare pleasure tonight of watching Gene Schuldt attempting to seduce Mathew... or was it the other way around? And exactly what was going on behind that screen? Stay tuned!

Read Through of LEADING LADIES

There is always that feeling of excited anticipation and a little apprehension before the first read through. How will it turn out? As people introduce themselves, I listen intently and speculate. It looks like a good mix, but since Mark Salentine (our director) runs partially closed auditions, you only get to hear the people with whom you audition. There is still the question, will this cast "play nicely" together?

I have been on stage before with Matthew Patten and Gene Schuldt, I have seen Jeff Anderson, Jacque Gosz and Spence Mather perform, and the two newcomers to the Sunset, Dan Myers and Chelsey Peterson, look eager and pleased to be here. When, fueled with pretzels and Twizzlers, we start reading, it becomes clear... okay! If good acting can make a show, then we have a winner! Hmm, scary thought...I may be the weak spot here - will have to step it up to everyone else's level, but that's a good thing!

I leave you with one last question to consider. Why was Rey Dobeck, our costume designer, checking to see if Mathew has chest hair?